Dónde estás Constanza (1980) by José Luis Rosasco: Re-Foundational Allegories of the Nation

Abstract

The article carries out a re-reading of the novel Dónde estás Constanza, by José Luis Rosasco, out of some discursive strategies and a poetic of history that reveals that this text, whose reception catalogued it in the genre of the teen pink Novella, can also be read as an allegory of the power and the masked super-ego.