La transparencia del infinito: sobre una posible fenomenología del arte en el pensamiento de Jan Patočka

Jaime Llorente Cardo

doi:10.32735/S0718-2201202000051843

Authors

Jaime Llorente Cardo IES Campo de Calatrava (España)

DOI:

https://doi.org/10.32735/S0718-2201202000051843

Keywords:

Patočka, aesthetical phenomenology, appearing, totality

Abstract

In the present work we try to provide some concise remarks concerning the possibility of rebuilding an “aesthetical theory” from the indications framed in this respect by the Czech philosopher Jan Patočka. On the basis of his distinction between “traditional art” and “modern art”, that is, between the art conceived as a “sign” and the art intended in an authonomous manner, we try to show the way in which Patočka places the essence of art in the act of revealing the hidden side of reality. It would be that extraordinary dimension of the things that is revealed in its pure and simple appearing: beyond all utilitarian or pragmatic gaze.

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